The Secret Way to Never Have Writer’s Block

TitlePic2You may be wondering how I concocted a formula for never having this author-wide phenomenon of getting stuck in one’s writing. I wish I could say it was as simple as telling you “y=mx+b”. Or wait . . . maybe it really is that simple.

First, I want to break the problem of writer’s block down. We cannot find a solution to it until the problem is clearly defined. I have determined two reasons why writer’s block exists for a storyteller (someone who writes fiction or even non-fiction stories). If these two reasons would never occur, then writer’s block would never occur, and the life of a writer would be a whole lot easier.

You have writer’s block because. . .

1: You do not know your story well enough.

2. You are not inspired/motivated to write on a certain given day.

Many people want to throw in a third reason by saying they do not have the time to write. This reason can easily be dispelled because writing does not have to take up much time from day to day. There is always some entertainment time that can be given up for the sake of writing, and every true author who truly writes books has come to terms with setting aside time to write. For us authors, if we have time to brush our teeth, then we have time to write.

The problem remains that there are still two reasons why writer’s block occurs. Let’s take a look at the first reason. If you do not know clearly what you want from a certain scene you are composing, then the chances are you will not be able to find the right words to put down on paper. There is a simple reason why this first problem keeps occurring. When you do not know your story well enough, you cannot truly envision it inside your head.

The entire purpose of an author in writing a story is to attempt to implant inside the reader’s mind the same images that the author has inside his own. If you as an author cannot see the images of your story, then it is unlikely for your reader to, either.

There is a simple fix to clearly defining the images that make up the scenes for your story. All you have to do is remember the first spark of motivation that inspired you to write your story. Whatever that spark was can be told in an image. Clearly understand that image. From there, all that needs to be done is to define the images that branch out of the first image. These images become all the scenes of your story. Doing this creates a mind-map of your story. A mind-map can easily be converted into an outline for your story.

Now that you know your story well from the images that compose your story, we still have to solve the second problem of not having inspiration/motivation to write on a given day. There are many cures for this, but I have found one cure to be particularly helpful. It’s called, “Making Writing a Habit”. As said earlier in this post, all of us professional writers have to come to terms with the fact that we write a lot. Writing a lot means writing every single day, six days a week. I confess that I do not follow this strictly in my life. However, under times when I set my teeth to complete a project, I have found this to be the only way to succeed at writing. Writing every day takes the heat off of any particular day you don’t have motivation or inspiration. On that day, you only have to write for ten minutes. More concentration can always be given on another writing day, since you’re writing six days a week.

One thing to add: If you find that you NEVER have motivation/inspiration to write, or if you USUALLY don’t have motivation/inspiration to write, this means one of two things: 1) You need to choose a different story/book topic, 2) you hate writing and therefore should not be an author.

Your fellow writer,
Joshua Reynolds

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How to Edit Your Story Using Fillers

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When I write a book, there are chapters that end up being shorter than what I need them to be. Usually, I write my first draft on pen and paper and transcribe it into a word processor. Pen and paper eliminates spending a whole day editing a few paragraphs around and not making more progress on your story (that’s something I call Editing Syndrome). It also eliminates the millions (okay, maybe just thousands) of distractions that come with a computer.

When I revise my story, I use a word processor – usually. There are times it is good to use real ink even when revising a story. If you realize that a chapter is too short or that you need to add a scene somewhere, going back to ink and paper is generally the best way to construct your scene.

I did this just today, and it worked!

The only steps you have to do is 1) plan where you are going to insert the new scene and edit the text accordingly for it. 2) Write the scene using pen and paper. 3) Transcribe it into the word processor where you are supposed to insert the text. 4) Read the new version and revise to make everything flow.

It’s really that simple. Try it for yourself.

Your fellow writer,
Joshua Reynolds

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Latest from YouTube and Other Websites

In recent YouTube videos, I’ve been doing a series about using pen and paper. Check out the first video in the series:

My Treasure on the Southern Moor website latest post: https://treasureonthesouthernmoor.wordpress.com/2018/08/22/a-late-meal-aboard-ship/

My The Williams House website latest post: https://thewilliamshouse.wordpress.com/2018/08/22/autumn-time/

Your fellow writer,
Joshua Reynolds

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The Top 10 Reasons Why Every Storyteller Should Write About Nature

  1. Nature is aesthetically pleasing.

It makes your story that much more alive. Rich descriptions of nature as the characters interact with it throughout the plot (whatever plot that is) are always a thrill to read and refreshes the reader.

  1. Nature is imaginable.

We are always interacting with and around nature, even when we do not realize it. When we read nature in a story, we can easily envision what is being described. This paints wonderful pictures in our heads and makes it easy for the author to convey into our minds the same images he/her envisioned.

  1. Nature draws a reader into a story.

Unless we can (as the main character of the story does) feel the texture of the tree, smell the pine needles, feel the rich soft grass and dirt, hear the babbling brook, listen to the birds and insects chirp, watch the setting sun shaft through the limbs of the trees, then we won’t be attracted to the story. When these descriptions are included, we will be drawn in to experience the story ourselves.

  1. Nature defines the scene.

How can you describe what a scene looks like, feels like, sounds like, smells like, and tastes like without any nature at all? The only way to describe an environment of a story is by using nature.

  1. Nature is very interactive.

It is easy for us to picture a main character walking his horse down a cobblestone path through the woods in the late afternoon because even though we might not have done so ourselves, we have felt stone before. We have walked through woods before. And, we have seen the late afternoon sun shaft through the limbs of a small forest.

  1. Nature is all around us.

Have you ever tried reading a story in an airport and then out in a park near a garden? Why is it you could visualize the story so much better in the park? Well, there could be thousands of reasons, everything from being nervous about your flight to the shouts and conversations of others in the airport. Yet, as nature draws us into the story, we generally find that we can understand it much better if we are around nature ourselves.

  1. Without nature, stories don’t make sense.

A story without nature is a story of confusion.

  1. Without nature, stories are dull.

If the characters never interact with nature, the story will not be imaginative.

  1. Without nature, stories cannot be visualized.

It’s impossible to truly be able see the paintings of the story without descriptions of nature.

  1. Without nature, your book will have all the negative reviews.

No one likes a story that doesn’t have nature described throughout it.

Your fellow writer,
Joshua Reynolds

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How to Set Writing Priorities

Making certain to write every day can be a big challenge, yet if you’re not writing every day, then you are not a writer. You are a dabbler – writing on this day, writing on that, but not being consistent. In order to be a writer, you have to write every day. You have to make writing a habit.

As soon as I make writing a habit, I realize that inevitably there are other priorities that begin to raise their heads. How do I make sure I get my blog posts published? What about my YouTube writing videos or my podcasts or emails? Is there any way I can spend x hours doing the lawn work I have to do this week? Etc. Etc. Etc.

I’ve realized the following: There are certain weeks when marketing has a higher priority, and there are certain weeks when writing has a priority. Yet, I still have to be writing every day. There are just some times when the writing will not be as much as usual. Don’t do this randomly. Figure out when you have to make writing a priority. Below are some guidelines.

Make writing a priority when. . .

  1. You are writing a first draft to a story.

Never, never, never drag the first draft of a story out too long. If you have to, table everything else. Make certain you complete the first draft. Then, you’ll be done with the most discouraging part of the writing process.

  1. You are nearing the half-way point with a story revision.

After the first draft of a story is completed, it’s easy to spend some time focusing on other priorities. Then, you begin to revise your story, yet it still doesn’t have first dibs. Make certain that as you progress through the revision process, you are raising the writing priority until it is first on your list. Keep this up until it is complete and ready for publication.

  1. You are behind with the macro-goals of how much writing you wanted done by the end of the year/bi-yearly.

If you realize your long-term goals aren’t being met, then do the following: 1) Make writing more of a habit, 2) Make writing more of a priority, and 3) (if you are already doing the prior steps as much as humanly possibly) Make your goals more realistic.

Your fellow writer,
Joshua Reynolds

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Latest from YouTube and Other Websites

In my Writing Motivational Tip videos, I am in the middle of doing a series on Conservative Writing. Head over to my YouTube channel videos to check them out! Here is the first video in the series:

I have begun a new series on YouTube! In real time, you get to observe my work on my stories. This is an insider’s peek on what it actually takes to make a story come to life. Watch this series for inspiration as well as for a relaxing background noise when you go to write your own story! Here is the first video:

From my Treasure on the Southern Moor and The Williams House websites, I am beginning again to re-broadcast story snippets. Head on over to check them out!

Treasure on the Southern Moor: https://treasureonthesouthernmoor.wordpress.com/

The Williams House: https://thewilliamshouse.wordpress.com/

Your fellow writer,
Joshua Reynolds

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The Amazing Secrets of Storytelling

Now that I have your attention by my motivating headline, you probably think that I’m either a genius or a quack. The truth is neither. The amazing secrets of storytelling are something that’s common sense; the trouble is that so few people are taught common sense these days. I can give you the secrets in three simple words.

Imagination. Inspiration. Wholesomeness.

Imagination refers to your ability to give your reader through words the same visions and images you have inside your head. Drawing a reader into your story takes imagination – the right descriptions, composition of scenes, environments, and proper portrayals of characters.

Inspiration refers to everything you need to gather in order to have imagination. I call this “reference material”. The truth is that no writer is 100% original, or even 50% original. We acquire our ideas from our interactions with the real world: Places we go to, people we visit, paintings/pictures we observe, other stories we read, stories we are told verbally, smells and tastes, etc.

Wholesomeness refers to the level of simple virtues placed within a story. If your story never talks about food or nature or sleep/rest or water or trees or rocks or characters who appreciate such things, then your story will not be a good one.

Your fellow writer,
Joshua Reynolds

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The Top 5 Reasons Why You Should Stop Watching TV and Start Reading

I doubt whether anyone at the end of his/her life has said, “Oh, if only I had watched one more hour of television – my life would have been complete.” Yet, reading produces far greater rewards for your life.

  1. Television is heavily liberalized and one-sided.

Let’s face it: Most television is junk. In today’s modern world, generally only one political side controls all the major television political news. Not only politics is affected by this subjectivity. Most channels are created to present people with very few morals and depressing stories – both fiction and non-fiction. Areas with higher television viewing have higher depression rates.

  1. Reading produces better intelligence.

Yes, this depends on what you read, true. Yet, even the simple act of reading will give you more rewards than watching television for that same amount of time. It requires more concentration and allows you to think in a quieter setting.

  1. Television produces unintelligence.

When most fictional television stories revolve around things that do not and cannot exist and most non-fiction stories are presenting false facts, the viewer is only being fed unintelligence.

  1. Reading gives better imaginative rewards.

The creative rewards are far greater with reading because you have to envision the story yourself instead of having it all passively spoon-fed to you through a screen. You actively participate with the story instead of watching it from a distance.

  1. Television commercials are only getting worse and influence you to spend more money

Most commercials are fake. They are designed by computer graphics artists that change the appearance of whatever the company is trying to sell, and the entire point of most of them is that your life is incomplete without their product, which isn’t true.

Your fellow writer,
Joshua Reynolds

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